Initially, Jay Som thought how much it sucks to have so little money just to keep on making music, hence the title “everybody works”. As all the glorious music hit stories of today, she didn’t have to wait till forever (like some wannabe-authors, *cough cough*) to make it big. With her incredible debut, Jay Som – originally Melina Duterte – encapsulates the Zeitgeist of creating nostalgic sounds that she never really experienced. If that sounded snarky, it’s not. Let me explain but first…the Bus song.
While talking about “Everybody Works” on my radio show I came to an epiphany: the time for detached irony is over. This generation (is it still millenials?) finally got over the “oh, this is so shit/tacky/gross/awful, I love it” and discovered that old, vintage things can actually have an emotional impact and be amazing completely without irony. Even more so, it’s finally cool to watch lovely, touching tv shows like “Steven Universe” or “Adventure Time” without blushing in front of your friends who only watch “Venture Bros” and “Archer” and love to snigger at heartfelt truths and feelings.
I might be totally off with this (I am quite sure I am) but young artists like Jay Som beat the constant irony of the Britwave of ca. 2008 and the irk of neon coloured shirts singing about cool things without ever getting close to what they really thought about when they went off stage and into the sweat-smelly tour bus to drive for hours to the next location.
This is an album that is honest, modest even, and rings true.
The whole thing sounds like it comes from a band but Melina-Superstar did everything on her own in her bed room. For comparison: I do puzzles on long weekends.
The result reminds me at times of the lighter Modest Mouse (with this chill guitar sound) and at times of the fuzzy 90s alternative that in hindsight seemed to be a real rebellion against the grungy moping of too many bands of the time (I re-watched early “Buffy”-seasons in the past weeks and boy, so many drab bands with really bad grunge music AND lyrics).
Jay Som, however, creates light, lovely and fresh songs with fantastic guitar-gniedelei and lyrics that are – quite frankly – humbling the selfish arrogant person that I was at Melina’s age. She talks about how everyone has their burden to bare and how sometimes you have to give up some things to help out others. And all that sounds a lot less like motivational posters when she writes and sings about it:
I know you know
If I leave you alone
When you don’t feel right
I know we’ll sink for sure
I’ll play your game once more
If you don’t feel right