I already mentioned that Florence Welch tried and failed covering Beyoncès “Halo” but at least that seemed to be in fun and not as a single release. However, Jono McLeery thought he could cover this icon of a pop singer to start this year dreery and kinda annoying.
Jono does everything I hate about bad cover songs:
- He somehow manages to slow down a ballad (that needs no slowing down)
- He extracts all the amazing pathos and leaves a soft, soggy singer/songwriter tune
- speaking of tunes: he absolutely slaughters it, he starts out ok but then he veers off, leaves the original melody on the wayside like a sad dog, stop doing that, Jono, write your own songs if you want to make up your own melodies.
Look, I am all for violins and a warm Winter ballad and the orchestration is actually quite beautiful but there’s no need in destroying the melody of a perfect Pop song just so you can be unique and quirky and put your own twist to the song. The best cover songs manage to keep the spirit alive of the original song and to be honest, Jono failed majorly.
He is not the only one, unfortunately. “Halo” is the white whale of many an accomplished artist. Ane Brun – who I love! – did the same with the song. With a beautiful cello, it turns into this timid soft ditty.
Love the cello but NO to the song
Lotte Kessner, meanwhile, somehow creates a funeral march with it.
NO! THIS IS A HAPPY SONG, GODDAMMIT!
People! “Halo” is amazing because it is sung as an ode to someone who is overwhelming, who leaves you breathless, who is like a storm wave, a force of nature, an epiphany. There’s no place for timid breath-singing, this needs to be sung with euphoria, exactly like Beyoncè does.
And before you’re like: well, some of these songs are supposed to be intimate, duh. Here’s Beyoncè singing a live rendition in a hospital for children with just a guitar alongside and she still burns the house down because that’s just how this song is. How can you sing a line like “you hit me like a ray of sun, burning through the darkest night” and think that this should be a sad, depressing song to sing like Denethor is about to send Faramir into death and all is lost?
This love is all encompassing, people, why would you sell it short?