A beautiful thing about the Replacements was, that they went through different styles of punk music but with a spirit that fit their legacy: trying things out and trying to have fun and trying to avoid rules, even those hiding in the anarchist punk movement. Playing pop and glam cover songs during a show full of hardcore punks to piss them off is a beautiful thing because it shows that dogmatic rules on what is and isn’t punk were counter to what the scene actually wanted to be.
The Replacement’s “Answering Machine” is the perfect example how melodious punk really was (and still is). And how much emotion it could convey. It’s teenage angst perfectly distilled in 3 1/2 minutes. Admitted, The Replacements where in their 20s when they released “Let it be” in 1984 (and their harder punk style had been softened a lot) but a song about how difficult it is to put raw emotion into a letter or – worse even – on the silly little tape of an answering machine is basically every 80s and 90s teens woes.
I also want to mention “Androgynous” which is a beautiful love song about two people who love each other.
It’s a little bit sad reading lines like “kewpie dolls and urine stalls will be laughed at the way you’re laughed at now”, when nearly 40 years later, today’s trans rights are being threatened with – of all the things – a weird disturbed horror scenario where trans women roam bathrooms to attack cis women. But maybe that’s just the weird, off-putting hurdle we have to get away with (soon, please)? Eh, I could live without those hurdles, honestly.
As to not end on such a super bummer note, here’s an adorable cover of the song by my problematic face Miley Cyrus, punk icon Joan Jett and punk icon Laura Jane Grace. What a holy trinity of not giving a fuck right there!