I don’t know why but I am again obsessed (like, “loop that 24/7”-obsessed) with a Miley Cyrus song. Her previous single “Malibu” of the upcoming album “Younger Now” was just like the video a pretty little thing with no real meat on its bones. It also gave us a Miley that is not believable anymore (flowery hippy country girl who is everybody’s darling).
However, “Younger Now” is the kind of aesthetic sound-wise and visually that might be the real true Miley that has been peeking out during her wild phase a few years ago (and sadly resulted in a few appropriation- and “why the hell work with Terry Richardson of all people”-issues that are far more problematic than the nudity).
The Miley that plays with gender expectations and somehow is such a professional in the world of pop but at the same time just not quite as caught up in it like, for example, Katy Perry, shows herself in a video that is all Rockabilly but with the nostalgia factor playing the main character. This is not the dream of how it was back then but how it is now. The Grease brigade, creepy puppet play (a typical symbol of 50s children’s tv shows – also in Germany, by the way), the Elvis costumes and the glitz – the video in itself is mesmerizing.
The song is a lovely goodbye (?) to her wild phase (and quite possibly also to the Disney phase, but obviously no one will acknowledge that because so many people think that her twerk/tongue-phase was worse than being stuck in Disney’s fake smile wonderland that messed up so many of our current and past pop stars).
The lyrics are standard pop:
“Feels like I just woke up
Like all this time I’ve been asleep
Even though it’s not who I am
I’m not afraid of who I used to be”
But the sound is quite interesting. We start with frogs and water singing in the background and a lower guitar tune slowly easing us into the song before Miley sings covered in a subtle echo effect. The song slowly turns into the sort of pop that does well on a dancefloor but still feels calm and melancholic. This is actually a song you would rather hear from a popular rock group like Kings of Leon instead of Miley Cyrus but that’s exactly the sound that suits her (kid has still one of the most amazing and unique voices of any white female pop star out there). I really hope that her album delivers more of this and less of “Malibu” but you never know. With stars of her caliber, conceptually tight albums like Beyoncès “Lemonade” are so seldom, so I expect a few other strong singles and a few fillers.
But then again, Miley’s coop with The Flaming Lips and her resulting Her Dead Petz-album was a fantastic and weird piece of pop. I still believe that she could be one of the greats in the long run.